This contest is open to stories for children of 750-1000 words. The winner is to receive $500 and publication in Pockets Magazine. Entries must be postmarked no later than August 15, 2017.
Please indicate FICTION CONTEST on both the outside envelope and the cover sheet.
• There is no set theme and no entry fee.
• Stories should be 750–1,000 words. (Stories shorter than 750 words or longer than 1,000 words will be disqualified.)
• Stories must be previously unpublished.
• Please include an accurate word count on your cover sheet.
• Multiple submissions are permitted, but please submit only your best work.
• Past winners are ineligible.
• The winner will be announced November 1 at
• Award: $500 and publication in the magazine.
• Entries with an SASE will be returned.
• If you have questions, please email us at email@example.com.
SEND ALL MANUSCRIPTS WITH SASE TO:
Lynn W. Gilliam, Editor P. O. Box 340004 Nashville, TN 37203-0004
They request to please NOT send submissions via FAX or e-mail. As always, good luck!
Once again, the Feminist Press has partnered with TAYO Literary Magazine to for a contest seeking the best debut books by women and nonbinary writers of color to celebrate author Louis Meriwether’s achievements. This contest is for first time authors. Submit your complete manuscript of fiction (including novels and short story collections) or narrative memoir between 50,000 and 80,000 words. Capture their attention with your words to receive $5,000 and a publishing contract from the Feminist Press!
The second annual Louise Meriwether First Book Prize entries will close on July 31, 2017. To learn how to enter and complete guidelines, go here. As always, good luck!
Operation Awesome is hosting a Pass or Pagescontest finally this year. Woot! For this round, the category is for adult science fiction or fantasy. Submissions are open NOW from February 13-15, 2017. This is an opportunity to get feedback from an agent on your query and first 250 words of you manuscript. Peeps, this is priceless! And as a possible bonus, the agent reserves the right to request your FULL.
This is a grant for published writers to help them set aside time for writing, research, travel, and general career advancement. The grant awards $25,000 to the winners. The deadline to submit your application is tomorrow, March 8, 2017.
This year applications are for fiction and creative non-fiction. The winners won’t be announced until around December, 2017. Their support of a project will be anytime between January 1, 2018 and January 1, 2019.
If you write poetry, applications will be taken early 2018 for a 2019 winning and support. As always, good luck!
According to the website, the winner will spend five days deeply immersed in the Mall atmosphere while writing on-the-fly impressions in their own words. The winner will stay at the attached hotel and receive a $400 gift card to buy food and drinks, as well as collecting an honorarium for the time put into their prose.
You don’t have to be experienced to enter, as they will take writers from all levels of writing backgrounds. Entries are open to the U.S. and D.C. Submissions are now open and end on March 10, 2017.
With New York Times Bestselling author James Patterson‘s net worth at $700 million, who wouldn’t want to take a MasterClass with him? There will be 22 video lessons and exercises for $90. Super afforadable peeps! Even better, he’s choosing someone from the class to co-author a book with him!
Yeppers, you heard right. James Patterson will choose someone to write a novel with him. During the competition, each stage is designed to help you craft and pitch a novel. And the prizes are:
10 Semi-Finalists: Ten students will win $1000 based on book hook and sample chapter.
3 Finalists: Three students from the ten semi-finalists will be chosen to submit outlines for their books and will win $2500.
1 Grand Prize Winner: Opportunity to co-author a book with James Patterson. In addition, $5000.
If you’re interested, get your words polished. The deadline for the competition is March 1, 2017!
Please note, these are solely my thoughts and nothing more. But, I had to share, regardless of how shallow my readers might think me to be. Recently I got asked to select a free book from a publisher to read. It was my choice, so I could’ve selected anything. I was slightly familiar with the publisher, since I know someone that edits for them. Thus, I was thrilled to take my freebie! (Besides…booooooks people!)
Now, we’ve all heard the phrase “don’t judge a book by its cover”. And sure, this holds true for many things, especially humans. But in marketing, what’s in front of a consumer must be visually stimulating. And I confess, I am a consumer that needs roused to pick up a book before I’ve ever read the blurb. But from a marketing standpoint, this is just smart business!
So, imagine my dismay as I perused unpleasant cover art from various titles to select my awarded freebie. Most looked cheaply done or simply didn’t mesh with the title. And forgive me for this, but I judge the lack of detail given to a book’s cover as indication of the lack of editing probably given to the story. My eyes will roam over the cover and move along to the next. And with technology today, there simply isn’t a good reason to have bad cover art!
As authors, we don’t always have control over the cover art, but I’d stress to stand ground when something seems extremely off or comes across cheap in appearance. Should a writer want a lovely embracing couple on their horror book? No, this would lead readers to think it’s a love story and could result in bad reviews from romance readers. And authors wouldn’t want a picture of an ocean if their entire story is set within a magical forest. Why would authors expect anything less than perfect for their book baby? This is even more important for authors self publishing. Take the same amount of time on the cover art as you spend on editing. If you hire out the art, be sure to check previous work before settling on the artist or company. This is about proper marketing. Give the reader a reason to pick up the book BEFORE they’ve read the blurb!
L. Ron Hubbard’s Writers of the Future Contest is an opportunity for new and amateur writers of new short stories or novelettes of science fiction or fantasy. No entry fee is required. Entrants retain all publication rights. All awards are adjudicated by professional writers only. Prizes every three months: $1,000, $750, $500, Annual Grand Prize: $5,000 additional! If you have not read the contest rules, please click here before submitting. To enter, go here.
L. Ron Hubbard’s Illustrators of the Future Contest is an opportunity for new science fiction and fantasy artists worldwide. No entry fee is required. Entrants retain all publication rights. All judging by professional artists only. $1,500 in prizes each quarter. Quarterly winners compete for $5,000 additional annual prize! If you have not read the contest rules, please click here before submitting. To enter, go here.
Every writer knows the angst of summing their fantastical manuscript into a couple brief paragraphs. This grueling step is necessary to write an intriguing query letter. (For non-writers, this letter is the introduction to a manuscript to swoon a literary agent and/or publisher into reading a writer’s story with hopes of being signed.) Writerly folks can spend hours, days, weeks, and months forming words together, rearranging, and deleting until the paragraphs are just right. And honestly, some writers struggle knowing when the query is the absolute best for sending out into the world.
And sometimes, the problem isn’t always summing up the story. With nearly 130 million books published in the world, it’s likely someone already wrote something similar. So a writer needs to know what makes their story different and highlight that in their query letter. And trust me, this isn’t necessarily as easy as it sounds.
Knowing the struggles of query letters, I decided to inform my readers of a couple places to view query letters that have worked in hopes it’ll help a few writers.
Successful Queries via Chuck Sambuchino at Writer’s Digest. The reason I love this sight is because he also lists commentary from the agent that signed the author and why it worked for them.