Heidi Norrod is hosting another fabulous twitter pitch event for writers called AdPit. (Yes, she’s hosting two pitch events today!) In order to participate, authors need to have a finished manuscript and tweet their 140 character pitch using the hashtag #AdPit on April 5, 2017. The contest will be between 9am-3pm CST (Chicago time). You will allowed to pitch six times over the course of the event. I’d suggest once every hour, as the event is six hours long.
This contest is open to ADULT and NEW ADULT COMPLETED, fiction and non-fiction books. And remember, be sure to research the trawling LITERARY AGENTS and EDITORS before submissions. As always, good luck!
This is a grant for published writers to help them set aside time for writing, research, travel, and general career advancement. The grant awards $25,000 to the winners. The deadline to submit your application is tomorrow, March 8, 2017.
This year applications are for fiction and creative non-fiction. The winners won’t be announced until around December, 2017. Their support of a project will be anytime between January 1, 2018 and January 1, 2019.
If you write poetry, applications will be taken early 2018 for a 2019 winning and support. As always, good luck!
There is a twitter party for #SonofaPitch tomorrow hosted by Katie Hamstead Teller. There are a few reputable small publishers that will be perusing the feed, but I don’t think agents will be attending. However, tweet regardless (only once per hour per manuscript) because you never know who’ll show up to favorite your pitch. With that said, remember to ALWAYS research before submitting your book baby. Just because you get a favorite, doesn’t mean you have to send.
The site says the contest goes all day, but Katie mentions not monitoring early tweets because it’ll be 5am where she’s at. I’m not sure what that means about the start time though. But, it you plan on pitching, be sure to include the hashtag #SonofaPitch, the genre, and age category. As always, good luck!
The Iceland Writers Retreat states that over the course of the retreat, each participant is enrolled in a total of five two-hour small-group writing workshops (max. 15 participants) led by internationally acclaimed authors, a Q&A panel with all faculty, and numerous readings and social functions. But there are only a few seats left, so you better hurry!
Each of our Featured Authors teaches two different workshops, and you have plenty of time to interact with faculty, including those with whom you do not have any workshops. The retreat takes place April 5-9, 2017 and costs approximately ISK 289,000 (approximately $2479 US dollars). Prices exclude airfare and airport transportation.
But between all the intimate workshops and lectures, writers will have the opportunity to tour the spectacular Golden Circle, sit in cozy cafes of Reykjavik, soak in geothermal hot springs, listen to new Icelandic music, meet contemporary Icelandic writers, and learn about the country’s rich literary tradition. And remember, if researching for a novel or just wanting the workshops to improve your craft, this retreat is tax deductible! For complete registration inclusions, go here.
The TLC Writing Retreats will be having a retreat/workshop in Corfu, Greece! There will only be eight writers permitted each week. This helps an attending writer get more one-on-one time with mentors.
Week 1: May 21-28, 2017.
Week 2: May 30th-June 6, 2017.
Just pick one week to attend. If you’re doing research on a story in Greece, this is your chance to vacation and write off that research on your taxes!
All-inclusive with single room $4,500 USD All-inclusive with shared room $4,200 USD
• 8 days/ 7 nights
• 30+ hours of writing workshops
• All meals included (excluding alcohol)
• All transportation included
• One Full-day excursion
• Private cooking class
• Journal and all materials included
• A private tour guide with local insights into Corfu Does NOT include airfare
They promise to help you tell your story with the included workshops, as well as access to a personal guide around Corfu, Greece. As always, have fun and learn lots!
You’ll stay on a working farm in the heart of the rainforest, with easy access to both hammocks and hikes. Each morning, you’ll participate in creative writing workshops, and each afternoon, you’ll have time to write or explore.
The week begins and ends with public readings — which your family is welcome to attend!
Cost: $1,345-$1,819 per person (does not include lunch or dinner); $290 per child (if sharing a room with two adults). The retreat will be February 4-11, 2017. Remember, if you’re an author, retreats are tax deductible. Get complete details here.
In the past, I’ve posted links for writers to research agents regarding their legitimacy (which you can find saved under the Literary Advise tab:Finding A Literary Agent). Today, I want to discuss finding what they want in their inbox. It is important to submit only to agents that represent the type of material you write so that you don’t waste their time or yours. Keep in mind, if you have written fantasy in the past, but decided to write your first non-fiction manuscript, do not submit that non-fiction manuscript to an agent who only represents fantasy. Sounds crazy, but it really happens folks. Don’t. Do. It.
Another thing to keep in mind is what you want to spend most of your time writing. For example, let’s say you write young adult and middle grade, but the most recent manuscript you finished is YA. You spot an agent who would be a perfect fit, but s/he represents adult and young adult (no MG). What if you have more middle grade story ideas than young adult? Sometimes agents don’t represent a certain age group (or genre) because they don’t have the publishing connections available like they do the ones they currently represent. And there are others who just don’t have the “feels” for a certain age group or genre. Now, there may be other agents within the agency that represent the other age category or genre and will be willing to co-agent one of these other ideas you have, but not always and sometimes not until you’ve proven you can get the sales with the original book you signed. So ask yourself, do you want to risk a contract with an agent that will limit your writing in the age category or genre you’re most passionate? Remember, finding an agent for your manuscript also means finding an agent who’s a perfect fit for YOU. When you become the next Neil Gaiman or Stephen King, then you can write whatever you want and it won’t matter.
Here are some great places to find what agents are looking for:
Agency Website: Most agents list the types of stories they represent in their BIO’s. A few also provide links to personal blogs they have, posting more writing advise and shining a light on their personality.
Publishers Marketplace: Not all agents subscribe to this website, but those who do list the types of books they represent and some list their most recent sales.
Query Tracker: This is a cool site because agents not only list what they represent, you can search who represents writers in similar genres/age groups. Be careful though, if you just wrote a retelling of Hansel and Gretel, soliciting to an agent who represents a retelling of the same doesn’t usually work because the agent must be loyal to the client they already represent, which makes perfect sense.
Manuscript Wishlist:This is another hot place where agents (even publishers) list what they are currently looking to represent. This list can sometimes even be more specific. For example, rather than saying they want a historical fantasy, they’ll say give me a story set during World War I from a nurse’s POV who finds a magical stone to help heal her patients but gets put on trial when found healing an enemy soldier. Also, don’t forget you can see live tweets on twitter under the Manuscript Wishlist hashtag #MSWL as agents post ideas that suddenly spark.
While there are other places to learn this information, these are the most popular among my writing pals. The most important thing to remember while researching is having NO agent is better than having a bad agent, or one that isn’t a good fit.
An education doesn’t always mean a writer can capture your attention. Even those with years of experience might leave you to hunger for something more profound. Or the pen artists with a natural ability for prose can fall short of fulfilling a story. Nothing guarantees a writer’s success.
But the internet has empowered people to become writers regardless of education, experience, or natural ability. They type across blog pages, or self-publish a novel, and pray someone will fall in love with their words. Unknown people become journalists and authors overnight. And this is Fab-tastical! (Even for making up words.)
So what’s the problem? The lack of planning, researching, and editing before publishing. No matter who you are, people will eventually tire of constant misspelled words, repetition of the same word ten times in a brief paragraph, or saying the main character from your novel shot a villain with a pistol 500 yards away…which I’m not sure is even possible.
Don’t rush your work and lose credibility as a writer because you error too often. Edit beyond using spellcheck. Read outloud what you write to hear how it flows off your tongue. Research to get facts straight so your story sounds plausible. And although a degree isn’t needed, educate yourself in the field you wish to pursue.
Disclaimer: This post was not written due to vomiting through a cold toilet seat which offered no comfort for reading a horribly written journalist’s story and wondering how the heck he got paid. Just sayin’.